Na dana\u0161nji je dan, 20. lipnja 1966. godine objavljeno dvostruko izdanje “Blonde on Blonde” (Columbia) slavnog Boba Dylana. Dylan je tih godina dostizao vrhunac kreativnosti i slave. “Blonde on Blonde” posljednji je album \u010duvene trilogije, redom “Bringing It All Back Home” (1965.), “Highway 61 revisited” (1965.) i napokon “Blonde on Blonde”. Ono \u0161to fascinira jest da je izme\u0111u prvonavedenog i posljednjeg pro\u0161lo tek 14 mjeseci. \u010cetrnaest mjeseci za tri albuma od kojih je jedan dvostruki. Tko vi\u0161e radi na takvoj razini?<\/p>\n
Nije tajna da je Dylan bio nevjerojatno produktivan i da su pjesme iz njega jednostavno izlazile. Ono \u0161to fascinira jest na\u010din na koji je radio, pisanje tekstova i glazbe i prezentiranje skladbi bendu, osobito prisutno na “Blonde on Blonde”. Jer Dylan je tada, kao i puno puta tijekom karijere, odlu\u010dio napraviti zaokret i isku\u0161ati ne\u0161to druga\u010dije. Iako se autorovi tada\u0161nji albumi ve\u017eu uz The Band, talentiranu skupinu koja ga je pratila na turneji i s kojom je snimio neke bitne albume, Dylan je te 1965. razmi\u0161ljao radikalno. Nakon poku\u0161aja snimanja u New Yorku odlazi u Nashville, kolijevku country-glazbe i okuplja oko sebe grupicu lokalnih, provjerenih country-instrumentalista. Kako ne bi odve\u0107 bio “usamljen”, Bob sa sobom vodi gitarista Robbieja Robertsona i klavijaturista Ala Koopera.<\/p>\n
Dylan je u Nashville stigao s tek nekoliko ideja, a magija se po\u010dela doga\u0111ati u studiju. Snimanja su se protezala do kasno u no\u0107, ponekad i do jutra. Dinamika kojom su nastajale pjesme bila je nevjerojatna. Dylan bi pisao u jednom kutu svoje sobe ili studija, a kad bi zavr\u0161io, pozvao bi bend kako bi je “usvirao” do \u017eeljene verzije. Neke su dovr\u0161ene u samo nekoliko takeova<\/em>, zbog \u010dega se vjerovatno osje\u0107a ta svje\u017eina \u017eivog benda.<\/p>\n Zvu\u010dna slika, skladbe, zagonetni stihovi, opu\u0161teni vokali… Te\u0161ko je poslije bilo snimiti bolji album od ovoga, isti\u010de i Tomislav Gracin za KLFM. Produkciju albuma potpisao je Bob Johnston, a osim spomenutih Robertsona i Koopera, na snimanju albuma u Nashvilleu sudjelovali su klavijaturist Bill Aikins, bubnjar Kenneth Buttrey, basisti Henry Strzelecki, Joe South i Charlie McCoy (+ gitara, truba i harmonika), gitarist Wayne Moss, pijanist Hargus Robbins i Wayne Butler na trombonu. Na po\u010detnim njujor\u0161kim sesijama pijanino je svirao Paul Griffin te “bandovci”, bubnjar Bobby Gregg i Rick Danko na basu.<\/p>\n Pjesme: 1. Rainy Day Women #12 & 35 | 2. Pledging My Time | 3. Visions of Johanna | 4. One of Us Must Know (Sooner or Later) | 5. I Want You | 6. Stuck Inside of Mobile with the Memphis Blues Again | 7. Leopard-Skin Pill-Box Hat | 8. Just Like a Woman | 9. Most Likely You Go Your Way and I\u2019ll Go Mine | 10. Temporary Like Achilles | 11. Absolutely Sweet Marie | 12. 4th Time Around | 13. Obviously 5 Believers | 14. Sad Eyed Lady of the Lowlands.<\/p>\n Goran \u010celig<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":" Dylan je u Nashville stigao s tek nekoliko ideja, a magija se po\u010dela doga\u0111ati u studiju. Snimanja su se protezala do kasno u no\u0107, ponekad i do jutra. Dinamika kojom su nastajale pjesme bila je nevjerojatna.<\/p>\n","protected":false},"author":1,"featured_media":801,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"off","ocean_gallery_id":[],"footnotes":""},"categories":[4,227],"tags":[27,29,409,411,22,34,410,414,39,32,25,33,31,412,26,413,40,38],"class_list":["post-800","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-glazba","category-umjetnost","tag-al-kooper","tag-bill-aikins","tag-blonde-on-blonde","tag-bob-dylan","tag-bringing-it-all-back-home","tag-charlie-mccoy","tag-columbia","tag-country","tag-hargus-robbins","tag-henry-strzelecki","tag-highway-61-revisited","tag-joe-south","tag-kenneth-buttrey","tag-nashville","tag-robbie-robertson","tag-the-band","tag-wayne-butler","tag-wayne-moss","entry","has-media"],"yoast_head":"\n