{"id":9208,"date":"2023-12-06T18:53:25","date_gmt":"2023-12-06T17:53:25","guid":{"rendered":"https:\/\/portfolio.glazboteka.com\/kcm\/?p=9208"},"modified":"2023-12-06T18:57:57","modified_gmt":"2023-12-06T17:57:57","slug":"godisnjica-premijere-filma-vrucina-velikoga-michaela-manna","status":"publish","type":"post","link":"https:\/\/portfolio.glazboteka.com\/kcm\/godisnjica-premijere-filma-vrucina-velikoga-michaela-manna\/","title":{"rendered":"Godi\u0161njica premijere filma Vru\u0107ina velikoga Michaela Manna"},"content":{"rendered":"

Na dana\u0161nji dan, 6. prosinca 1995. godine u kalifornijskom Burbanku premijerno je prikazana izvrsna kriminalisti\u010dka drama “Vru\u0107ina” (Heat<\/em>), u kojoj je filmska publika prvi put u jednom kadru mogla vidjeti dva gluma\u010dka giganta – Ala Pacina i Roberta De Nira. Trosatnu thief<\/em>-sagu maestralno je re\u017eirao veliki Michael Mann.<\/p>\n

Biv\u0161i zatvorenik Neil McCauley profesionalni je plja\u010dka\u0161 koji se u poslu, kojem je u potpunosti posve\u0107en, vodi na\u010delom da se ne ve\u017ee ni za \u0161to od \u010dega ne mo\u017ee pobje\u0107i za 30 sekundi. Prilikom plja\u010dke blindiranog vozila s novcem, koju izvede sa svojim ljudima, me\u0111u kojima su i ovisnik o kocki Chris Hiherlis te tako\u0111er biv\u0161i zatvorenik, ali i obiteljski \u010dovjek Michael Cheritto, zbivanja izmaknu kontroli te grubi Waingro, prido\u0161lica u grupi, nepotrebno ubije \u010duvara iz pratnje vozila, poslije \u010dega budu ubijena i preostala dvojica. Nakon \u0161to Neil i njegovi ljudi uspiju pobje\u0107i s plijenom od 1,6 milijuna dolara u obveznicama naftne tvrtke koja novac od droge pere preko ra\u010duna u inozemstvu, istragu plja\u010dke preuzme odlu\u010dni poru\u010dnik Vincent Hanna, jedan od najboljih ljudi elitnog odjela za plja\u010dke i ubojstva u Los Angelesu. Dok Hanna sa svojim ljudima, me\u0111u kojima je i promi\u0161ljeni Casals, kre\u0107e tragom plja\u010dka\u0161a, McCauley \u0107e najprije odlu\u010diti kazniti Waingroa, a potom se po\u010deti zbli\u017eavati s grafi\u010dkom dizajnericom Eady. Istodobno, Hanna \u0107e se osim sa zahtjevnom istragom suo\u010diti i s nevjerom svoje tre\u0107e supruge Justine, do braka s kojom je Hanni stalo i zbog pok\u0107erke Lauren.<\/p>\n

Unato\u010d znatnim kvalitativnim oscilacijama njegovih filmova, Michael Mann (Lopov, Lovac na ljude, Posljednji Mohikanac, Probu\u0111ena savjest, Poroci Miamija, Gangsteri) jedan je od najzna\u010dajnijih suvremenih holivudskih filma\u0161a. Kao autor intrigantnih moralki i slojevitih karakternih studija opipljive tragike, uglavnom dojmljivo stiliziranih pri\u010da ve\u0107ih od \u017eivota, Mann je umjetnik koji uvijek stvara precizan, zaokru\u017een, realisti\u010dan i vizualno impresivan svijet, nerijetko okrutan i nemilosrdan urbani milje \u010dije dominantne boje i arhitektonski oblici na odre\u0111eni na\u010din nadopisuju i dodatno definiraju karaktere protagonista. O tome dostatno govore isprane ulice Chicaga u “Lopovu”, \u017euta boja prerije i zelena \u0161ume u “Posljednjem Mohikancu”, geometrijski pravilni interijeri u kojima se odra\u017eavaju \u010deli\u010dnoplavo nebo i more u “Vru\u0107ini”, dominantno sivi i zagasiti tonovi koji poja\u010davaju tjeskobni ugo\u0111aj “Probu\u0111ene savjesti” te prevladavaju\u0107e pastelne nijanse sme\u0111e boje koja okru\u017euje protagoniste “Gangstera”… Osim profesionalizma i nerijetko fanati\u010dne predanosti cilju odnosno nagla\u0161avanja va\u017enosti koju odanost profesiji i na\u010delima ima za opstanak ili pak za tragi\u010dnu kob pojedinca, teme su kojima je Mann stalno zaokupljen odnos obitelji i posla, u kojem uvijek jedno nastrada na ra\u010dun drugog, te u pravilu neostvarive \u017eelje, snovi i ambicije kojima njegovi junaci te\u017ee.<\/p>\n

Unato\u010d dugom trajanju i epskom zamahu, \u010desto slo\u017eenoj dramatur\u0161koj i narativnoj strukturi, kao i umetanju efektnih akcijskih sekvencija, Mannova su djela u osnovi intimne drame u koncipiranju kojih autor manje ili vi\u0161e spektakularnu akciju i prizore potjere rabi za kontrastno produbljivanje osobnosti i oslikavanje intimnog svijeta likova. Prema njegovim rije\u010dima, “za mogu\u0107nost pripovijedanja intimnih storija u kontekstu velikih i zna\u010dajnih problema”. Sve navedeno razvidno je i u sjajnoj “Vru\u0107ini”, djelu epskog zamaha i jednom od najboljih filmova devedesetih, impresivno atmosferi\u010dnoj, maestralno re\u017eiranoj, ugo\u0111ajem konstantne tragike i melodrame pro\u017eetoj, fascinantno estetiziranoj i stiliziranoj, izvrsno glumljenoj te u cjelini nagla\u0161eno moralisti\u010dkoj pri\u010di u kojoj je redatelj obradio vlastiti TV film “Obra\u010dun u Los Angelesu” (L.A. Takedown<\/em>) iz 1989. godine, u kojem su likove koje tuma\u010de oskarovci Al Pacino (trilogija Kum, Serpico, Pasje poslijepodne, More ljubavi, Irac) i Robert De Niro (Kum 2, Taksist, Razjareni bik, Dobri momci, Irac), u potonjem slu\u010daju pod druga\u010dijim imenom, odigrali Scott Plank i Alex McArthur.<\/p>\n

Goran \u010celig<\/strong><\/p>\n","protected":false},"excerpt":{"rendered":"

U tom naslovu filmska publika prvi put u jednom kadru mogla je vidjeti dva gluma\u010dka giganta – Ala Pacina i Roberta De Nira.<\/p>\n","protected":false},"author":1,"featured_media":9209,"comment_status":"open","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"ngg_post_thumbnail":0,"ocean_post_layout":"","ocean_both_sidebars_style":"","ocean_both_sidebars_content_width":0,"ocean_both_sidebars_sidebars_width":0,"ocean_sidebar":"0","ocean_second_sidebar":"0","ocean_disable_margins":"enable","ocean_add_body_class":"","ocean_shortcode_before_top_bar":"","ocean_shortcode_after_top_bar":"","ocean_shortcode_before_header":"","ocean_shortcode_after_header":"","ocean_has_shortcode":"","ocean_shortcode_after_title":"","ocean_shortcode_before_footer_widgets":"","ocean_shortcode_after_footer_widgets":"","ocean_shortcode_before_footer_bottom":"","ocean_shortcode_after_footer_bottom":"","ocean_display_top_bar":"default","ocean_display_header":"default","ocean_header_style":"","ocean_center_header_left_menu":"0","ocean_custom_header_template":"0","ocean_custom_logo":0,"ocean_custom_retina_logo":0,"ocean_custom_logo_max_width":0,"ocean_custom_logo_tablet_max_width":0,"ocean_custom_logo_mobile_max_width":0,"ocean_custom_logo_max_height":0,"ocean_custom_logo_tablet_max_height":0,"ocean_custom_logo_mobile_max_height":0,"ocean_header_custom_menu":"0","ocean_menu_typo_font_family":"0","ocean_menu_typo_font_subset":"","ocean_menu_typo_font_size":0,"ocean_menu_typo_font_size_tablet":0,"ocean_menu_typo_font_size_mobile":0,"ocean_menu_typo_font_size_unit":"px","ocean_menu_typo_font_weight":"","ocean_menu_typo_font_weight_tablet":"","ocean_menu_typo_font_weight_mobile":"","ocean_menu_typo_transform":"","ocean_menu_typo_transform_tablet":"","ocean_menu_typo_transform_mobile":"","ocean_menu_typo_line_height":0,"ocean_menu_typo_line_height_tablet":0,"ocean_menu_typo_line_height_mobile":0,"ocean_menu_typo_line_height_unit":"","ocean_menu_typo_spacing":0,"ocean_menu_typo_spacing_tablet":0,"ocean_menu_typo_spacing_mobile":0,"ocean_menu_typo_spacing_unit":"","ocean_menu_link_color":"","ocean_menu_link_color_hover":"","ocean_menu_link_color_active":"","ocean_menu_link_background":"","ocean_menu_link_hover_background":"","ocean_menu_link_active_background":"","ocean_menu_social_links_bg":"","ocean_menu_social_hover_links_bg":"","ocean_menu_social_links_color":"","ocean_menu_social_hover_links_color":"","ocean_disable_title":"default","ocean_disable_heading":"default","ocean_post_title":"","ocean_post_subheading":"","ocean_post_title_style":"","ocean_post_title_background_color":"","ocean_post_title_background":0,"ocean_post_title_bg_image_position":"","ocean_post_title_bg_image_attachment":"","ocean_post_title_bg_image_repeat":"","ocean_post_title_bg_image_size":"","ocean_post_title_height":0,"ocean_post_title_bg_overlay":0.5,"ocean_post_title_bg_overlay_color":"","ocean_disable_breadcrumbs":"default","ocean_breadcrumbs_color":"","ocean_breadcrumbs_separator_color":"","ocean_breadcrumbs_links_color":"","ocean_breadcrumbs_links_hover_color":"","ocean_display_footer_widgets":"default","ocean_display_footer_bottom":"default","ocean_custom_footer_template":"0","ocean_post_oembed":"","ocean_post_self_hosted_media":"","ocean_post_video_embed":"","ocean_link_format":"","ocean_link_format_target":"self","ocean_quote_format":"","ocean_quote_format_link":"post","ocean_gallery_link_images":"on","ocean_gallery_id":[],"footnotes":""},"categories":[53,227],"tags":[2008,8905,3692,8904,8901,6420,999,8903,8902,7744,8907,525,3523,6984,3936,8900,8906],"class_list":["post-9208","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-film","category-umjetnost","tag-al-pacino","tag-amy-brenneman","tag-ashley-judd","tag-diane-venora","tag-heat","tag-jon-voight","tag-kriminalisticka-drama","tag-l-a-takedown","tag-michael-mann","tag-mykelti-williamson","tag-obracun-u-los-angelesu","tag-robert-de-niro","tag-ted-levine","tag-tom-sizemore","tag-val-kilmer","tag-vrucina","tag-wes-studi","entry","has-media"],"yoast_head":"\nGodi\u0161njica premijere filma Vru\u0107ina velikoga Michaela Manna - 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